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The lead single from You Seem Pretty Sad for a Girl So in Love is out now

The live staple gets an official release ahead of her Coachella Weekend 2 set

It’s their first collaboration, and the latest preview of Tyla’s second album, A-Pop

The performance also saw appearances from Australian DJ Ninajirachi, alongside actor Tyriq Withers, Chase Infiniti, Slayyyter, and Manon.

The guitarist has been a fixture in Dave Brock’s band for nearly a decade, but his history with the space rockers goes much further back. Now he’s released his debut solo album too

The duo will drop the collaboration Friday, April 24.

Mountain served up a stone cold classic in Nantucket Sleighride

“I remember performing there in the band… what the crowds were like, what the people were like… I feel like I want to go back there.”

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the UK singer’s second album, a fascinatingly normal…

Grindcore made thrash metal sound like Celine Dion

Phish returned to the Las Vegas Sphere for night two of nine at the immersive venue where they delivered an otherworldly “Light” and debuted “Brief Time.”

Trent Reznor reconfigures his band and his music for a sort of live remix album that is unfussy, dancey, and, if you can believe it, fun.

Railroad Earth enlisted Greensky Bluegrass’ Paul Hoffman to contribute to their new single, “Everything Keeps Changin.'”

Vaulternative Records, an archival series dedicated to releasing Frank Zappa’s unexpected recordings from the vault, returns in 2026 after nearly a decade with ‘Zappa ’66: Vol. 1 – Live At TTG Studios’ out first.

Buckle up for M.I.A.’s surprisingly moving Christian album, a bass-driven, gospel-infused testament to personal salvation.

The English singer reunites with an old collaborator and digs deeper into his South Asian musical inheritance, but his fifth album of R&B-laced pop feels only slightly more realized.

The pioneering alt-country band returns with its first album in 30 years—a set of cryptic, languid dirges that feels defiantly out-of-time.

On a collaborative record where slurred Mandarin intersects with stuttering synths, the Chengdu rapper and his mentor interrogate the disconnect between social life and our internal worlds.

Stretching herself across dembow, electro pop, and even surf rock, the Dominican firebrand vies for stardom, keeps it weird, and shows how far she’s come.

On his lethargic new album, the controversy-courting Georgia rapper has never sounded less interesting, engaged, or inspired.