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Luck Presents revealed the all-star lineup for “Todd Snider Rules! A Tribute,” scheduled for March 20 in Spicewood, Texas.

Mitski’s homebound eighth album is both theatrical and restrained, responding to her newfound visibility with sober reflections on loneliness and delusion.

On a sprawling, 112-track treatise, the semi-anonymous samplers hide a compelling statement in a clusterfuck weighed down by conflicting ambitions.

The London saxophonist’s singular sound seems to create its own windy weather. His new album charts a strange course from synth ambiance to industrial-grade sub-bass.

The indie-punk band expands into softer palettes and slower tempos on an album that captures the restlessness and newfound wisdom of being in your late 20s.

The Maryland rapper taps some of SoundCloud’s coolest producers for a full-length solo debut of atmospheric, cybernetic avant-trap. His punch-ins fill more pockets than a tactical vest.

Breaking a long creative rut, the group returns with an EP of well-intentioned protest music: six topical songs about global injustice, plus a 54-page zine (and an Ed Sheeran cameo).

Pearl clutchers beware: The electro-punk icon’s first album in a decade revels in raunch—as good dirty fun, but also as a celebration of human desires, human needs, and human rights.

On their debut album, the Texas-born, Brooklyn-based songwriter indulges both their silliness and their sentimentality alongside cozy, straightforward production.

Keem reflects on his journey with a semi-autobiographical new album, but his performances lack spark and his warring pop star and rapper sensibilities work against him.