The British electronic producer formerly known as Blue Daisy and Black Dahlia unveils a new solo venture and a menacing new sound heavy on distorted drum machines and blown-out bass.

Folding together post-industrial dissonance, globe-trotting influences, and stinging social commentary, the Australian musician’s new album isn’t pulling punches.

Part one of Drake’s comeback trilogy is an attempt to settle the score. He does not succeed.

The Belgian trio brightens up its sound a smidge on its second album, filled with heady, psychedelic songs that house a tenuous optimism.

Weaving between Bon Iver features and electronic experimentation, the Minnesota musician and actor’s new album sounds a note of community and composure in a tumultuous world.

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the alt-rock band’s 1993 acoustic set, a swan song for the sensitive bohemians—and the biggest hit they’d ever release.